Julio De Matos is based in Portugal and I first got to know of Julio's work through his book "Fading Hutongs" which are photos of hutongs taken in China and through that work, I came to discover other significant bodies of work. Incidently, "Fading Hutongs" was one of my faviorite books of 2008.

Part of Julio’s initial work deals with and explores interconnections using alternative photographic processes. His later work, while on the surface, could be labeled travel photography, goes deeper into social commentary in the documentarian tradition by raising awareness of the survival and extinction of ancestral cultures.

Julio’s most recent work is closer to home and explores the influence of Brazilian architecture on the architecture of Portugal as well as the confluence of digital interventions in the landscape and subsequent print. Julio’s photography has been widely exhibited and he has had several books of his work published. I find exploring Julio’s work like peeling an onion with many layers, each one more revealing.

Shane Lavalette is a recent graduate with a BFA from Tufts University in partnership with The School of the Museum of Fine Arts, Boston. Shane writes extensively about photography through his photo-related blog where he focuses primarily on fine art photography and issues concerning contemporary photographic practice. He features individual photographers, books, exhibitions and interviews. Shane is also the founder and editor of Lay Flat, a new print publication of contemporary photography and writing that uses an innovative magazine format for the articles and actual prints of the featured photographs.

Shane, who's personal photographic work has been well received through various exhibitions and awards, represents a new breed of young photographers who are putting as much an emphasis on the contributions they can make to the field of photography as on their own personal work.

In this podcast, I discuss what to do when you have already achieved a certain level of success with your photography (particularly through juried exhibitions) and are wondering what do to and where to go next with the marketing of your work.

Like many photographers, Natalie Young didn't start out with the intention of becoming a photographer but rather, photography found her. She left a career in finance, married a musician and began living the photographic life. After photographing on her husband's family farm, Young eventually realized that she had not only a body of work but had work that could feed her artistically. As with the farm series, Young's approach to photography is usually a reflection of personal life and it is this approach that has given her the success she now enjoys with her photography.

Whether it is her lush photographs of botanticals, images of New Orleans, or her southern landscapes, Victoria Ryan brings a certain atmosphere to her photographs that is so strong, one can almost feel the textures of the plants, smell the decay of the swamp, or feel the thrill of Mardi Gras from the viewpoint of an insider.

Photo contests can be great ways to get your work on there and in front of other people. Photo contests can also help you develop and refine the skills of editing your work for submission. Recently though, more and more contests are developing rules whereby you lose ownership of your photography upon submission. Although the price of entering most contests is free, the ultimate price (the loss of ownership of your photographs) is too high a price to pay.

Ken Rosenthal's images make use of diffusion, blur, and high contrast as a way of exploring his personal experiences through common memories and archetypes that we all share. His images evoke moods that run the gamut from a veiled happiness to a discordant nostalgia with some anxiety thrown in. It is Rosenthal's deep connection to his own psychological thoughts though which is on display and through his lens, we begin to see a bit of ourselves in his images.

Suzanne Revy's commercial portraiture (mostly of children) is truly excellent. Revy has that gift of being able to bring out a child's personality and then capture it on film. The result is something that families cherish for ages. It's no surprise then that Revy's personal fine art work (again mostly of children) captures the essence and personality of her subjects. The different in her fine art work though is that Revy also infuses a sense of place and time that evokes a shared sense of history, nostalgia and time. Also mentioned in this podcast is the Griffin Museum.

There has never been a better time to enjoy fine art photography than now, particularly with all of the new on-line web-based photography magazines that are being published. Cheaper to produce but no less excellent than print-based photography magazines with regards to content, on-line magazines provide a larger, wider venue for photographers to publish their work and get it to a wider audience. Below is a list (by no means comprehensive though) of several on-line photography magazines that you might want to check out:

Ahorn Magazine

Blueeyes Magazine

Burn Magazine

Deep Sleep

F-Stop Magazine

File Magazine

Fraction Magazine

Lens Culture

Seesaw Magazine

Vewd

Visura Magazine

Wassenaar

Stella Johnson is a documentary photographer who brings an engaging and captivating approach to her subjects. Her latest book, Al Sol: Photographs of Mexico, Cameroon, and Nicaragua is a great example of documentary photography that also works as fine art photography.

Which is better, black and white or color photography? I've gotten asked this question many times by listeners and I find the question to be kind of strange because it all depends on what you are trying to communicate or accomplish with your photography. Sometimes it comes down to how well you create and develop your photos in one process or another (your skill), sometimes it is a matter of personal preference, and sometimes your subject tells you how to proceed. The bottom line is to follow your instinct and preference and not let anyone (including the marketplace) tell you it must be a certain way.

Podcasts are a labor of love for those who create them however, even love has a price. This podcast outlines some ways you might help support your local podcast (and in particular Thoughts on Photography) by purchasing items from sponsors, click-throughs to sites such as B&H Photo and Amazon.com or just a direct donation through PayPal.

Have no fear, this podcast will always be free to anyone who cares to download and listen to it but any way to offset some of the costs of doing the podcast would be greatly appreciated and if you can't help financially, then an email of appreciate goes a long too. Thanks in adavance.

Angela Bacon-Kidwell's photography is the stuff of dreams (literally). Angela uses photography as a way to bring substance to her dreams and sub-conscious thoughts through her photographic imagery. Angela has also found recent success with her photography and her insights and thoughts are helpful and instructive to photographers no matter where they are on the spectrum regarding the promotion of their photography.

In this episode, I explore whether (at long last) inkjet prints can be considered collectible.

In this episode, I discuss my own personal editing process (or workflow) from capture to the final decision regarding which photographs make the cut.

Hiroshi Watanabe's photographic work is both inspiring and engaging. From his "Kabuki Players" series to his most recent (and very different) series "Ideologies in Paradise", Watanabe's photographic sensibilities and his experience help show us a path torward living a photographic life.

Note: Due to some technical issues with this episode, you will notice sound drop outs and a recurring blip sound. I apologize in advance and hope you still enjoy the interview.

I'm now offering editioned folios of photographs from my "Anonymous Lives" and "Figure Studies" series. Each folio contains a boxed set of signed, titled, and numbered original prints (6" x 9" image size on 8.5" x 11" museum quality archival papers using pigment inks) along with a signed and numbered folio title page, print listing, and artist statement. The portfolio box is hand-crafted and made of heavyweight binder board lined with an archival liner and covered in luxurious black buckram with a Velcro button closure. Each folio is an edition of ten sets. In other words, the first edition of a folio will have ten folio sets available. Once these sell out, a second edition will be printed. The folios are:

Anonymous Lives (12 prints, Price = $125 + S&H)
Figure Studies (15 prints, Price = $150 + S&H)

To see the prints that are included in each folio or to place an order, please visit my web site, www.paulgiguere.com. I currently accept PayPal for payment.

In this podcast I discuss the isolation we sometimes feel when working on our photography and how, in reality, we are really more connected with other photographers than we realize. In a sense, we are all part of a photographic family and should never forget that fact when we find ourselves struggling to live the photographic life.

Polly Chandler is a fine art photographer based in Austin, Texas. Polly's subjects vary widely and this makes for a diverse and engaging portfolio of work. Her subjects range from portraits to still lives to landscapes to environmental photographs and everything in between yet still her work maintains a certain consistency of style and imagery.

This podcast discusses the book "On Looking at Photographs: A Practical Guide" by David Hurn and Bill Jay. The book is published by Lenswork Publishing and provides some great insights on how to look at , or read, a photograph (which hopefully in turn helps us as photographers make better photographs).

Joe Wigfall is a New York-based street photographer who first came to my attention through a WNYC radio station project and contest highlighting the working styles and philosophies of several working street photographers in New York. The short video of Joe is wonderful to watch (as are many of the other videos made for other photographers). Joe went on to win the contest and I found his photos (and his process for making them) to be truly excellent. Joe's approach to street photography is refreshing, engaging, and above all, motivating.

In this podcast, I discuss the one year anniversary since I started Thoughts on Photography (October 15th actually), why I started the podcast, and some of my New Year resolutions for the podcast going forward for 2009.

In this podcast I pull together a list of my favorite photography books published in 2008. The book list includes:

Saul Leiter

Helen Levitt

America by Zoe Strauss

Cuba: Campo Adentro by Susan S. Bank

Planet Shanghai by Justin Guariglia

Fading Hutongs by Julio De Matos

Ideology in Paradise by Hiroshi Watanabe

Interior Exposure by Jessica Todd Harper

Domestic Vacations by Julie Blackmon

A Certain Alchemy by Keith Carter

Howard Zehr is known worldwide for his work in transforming our understanding of justice, particularly restorative justice, and is a faculty member at Eastern Mennonite University's Center for Justice and Peacebuilding. He is also the General Editor of The Little Books of Justice and Peacebuilding series of which The Little Book of Contemplative Photography is a part. Zehr is also an accomplished photographer (particularly in creating the documentary-style photographs for his books) and teaches workshops on contemplative photography which promote "mindfulness" in photography.

In this podcast I discuss the current resurgence in interest in the work of William Eggleston. An retrospective exhibition of Eggleston's work on display at the Whitney Museum of American Art along with a new book/catalog of the exhibition. Coincidentally, a new DVD documentary is also available as well. There has never been a better time to get to know the work Eggleston than now.

Ibarionex Perello is a California-based photographer, writer, and educator. Ibarionex is a contributing writer for Shutterbug Magazine, PC Photo, and Digital PhotoPro. He is co-founder of Alas Media, a studio dedicated to telling stories through a variety of media, and is the host of the Candid Frame, a podcast focused on interviews of photographers across the wide spectrum of the photographic world, and FotoBoy, a blog on photography.

Getting known as a fine art photographer, that is getting your work out into the photographic public and gaining some name and photographic recognition, is not easy and there isn't a magic solution. This podcast discusses some things you can do though to increase your exposure and help you build a career in fine art photography.

In this episode, I explore the philosophy, reasons and rationale behind sharing your photography both as a way of completing what I call the "cycle" of photography and as a way of living the photographic life.

This episode of the Focus Ring (a round-table discussion featuring podcasters from the Photocast Network) features Boris Nienke (nSonic), Rolf Steinort (Meet the Gimp), Chris Marquardt (Tips from the Top Floor), and Paul Giguere (Thoughts on Photography). In this episode, we discuss lots of new developments and announcements from Photokina 2008, some philisophical questions concerning the new video capabilities being introduced into DSLR cameras, and more. We also mention various products and web sites during the show which are listed below:

Schnellkapplung MiniConnect

Subjectiv Creative Lens System

Carl Zeiss Lens for Canon EOS

Lensbaby's New Line of Lens

Leica DLux-4 and G1 Cameras

Sigma DP2 Camera

Photokina 2008 Report

Meg Birnbaum is a photographer based in Massachusetts whose photographs evoke a certain modern sense of nostalgia. From her botanical photos to her scenes from county fairs to her almost fantastical world in the "Fly by Night" portfolio, Meg's work stimulates our imagination and our memories of events both lived and only dreamed of. Some photo reviews mentioned in this episode include:

FotoFest
Review Santa Fe
Photolucida

I recently picked up a book by Philippe Gross and S.I. Shapiro called "The Tao of Photography: Seeing Beyond Seeing." Ignoring the overused "Tao of Whatever" as a part of the title, I found this book to be excellent and the advice useful at all stages of your photography.

I recently attended a photo workshop at the Center for Photography at Woodstock in Woodstock, NY with Constantine Manos. Photo workshops can be fun, invigorating, and yes, expensive and even unsettling but I think they are one more thing we can do lead a photographic life.

Lorenzo is a New York City based street photographer who began using digital cameras just a few years ago. His use of the digital cameras as a part of his work flow has liberated him and has allows him to achieve new creative (and prolific heights) with his photography including several self-published books through Blurb.com. Lorenzo's intense passion and interest in photography helps him to lead a photographic life in the truest sense.

The German book publisher Steidl is in the process of releasing reprints of photography books by Robert Frank (some of which are in newly edited editions supervised by Frank himself). The titles include:

The Americans (50th Anniversary Edition)
Robert Frank - Peru
Robert Frank - Paris
Zero Mostel Reads a Book

Although I'm extremely happy to be re-exposed to Frank's work, of particular interest to me is the Zero Mostel book which I found to be a delight. All of these books are not only worth your attention but should be on your bookshelf. More books by Frank are promised in the coming months and year.

Although digital cameras have been with us for quite awhile and the quality of images produced with digital cameras can equal or are better than film-based cameras, the issue of film versus digital continues to permeate our photographic discussions. This podcast attempts to re-frame the issue as not one of quality but rather process (or how we like to work). I know this can still be a hot button issue but hopefully my thoughts add, in a constructive way, to the decision-making that some photographers still grapple with when contemplating film or digital in their photographic life.

In this podcast, photographer Aline Smithson and I have a conversation regarding her approach to photography, the creative process, and a wide range of topics related to the photographic life. You can see Aline's work and read more about her at her web site. Aline also maintains a blog called Lenscratch where she frequently discusses work by other photographers and news of interest to the fine art photographer.

Sometimes our photographic comfort zone (the typical subjects, tools, and places that we are most comfortable with in our photography) can be our biggest barrier to making creative leaps in our work. Finding the courage to occasionally leave your comfort zone behind can lead to the "next step" in your photographic life. This episode references the book "Art and Fear" by David Bayle and Ted Orland and is highly recommended.

In this podcast, photographer Gordon Stettinius and I have a conversation where we discuss Gordon's approach to photography, his creative process, and a certain philosophy of photography. You can see Gordon's work and read more about him at his web site.

During the course of the discussion, we also make mention of a web site called HolgaMods which is Holga camera modification and enhancement business run by Randy Smith. Since we mentioned it in the podcast, I just thought it would be good to make the link available here.

This podcast discusses some of the essays of Susan Sontag, which can be found in the collection "On Photography", and in particular the idea that a camera can be viewed as a weapon. A controversial thought to be sure but one that I hope elicits a conversation about how photographers view their tools and the role they play in the creative process.

In this podcast I discuss the 20X200 photography and fine art print sales site hosted by Jen Bekman of Jen Bekman Gallery in New York City. Their whole approach to limited edition sales of prints involves pricing three different size prints (small, medium, and large) in different quantities (200, 20, and 2 respectively) at varying prices ($20, $200, and $2,000 respectively). This could be a whole new approach to limited editions and pricing in general for most photographers that allows the average person the ability to purchase a photograph based on their budget and their motivation as a collector of photography.

In this podcast I discuss juried photo exhibitions, what they are, how they work, and the pros and cons of entering them. I also provide some helpful tips should this be something you wish to pursue for your own fine art photography. An excellent resource for finding out when and where various exhibition opportunities are and other great advice for marketing your fine art photography is Mary Virginia Swanson's book "Marketing Guidebook for Photographers." Ms. Swanson also maintains a blog that frequently list exhibition opportunities as well.

In this podcast I interview photographer Bill Vaccaro to discuss his photography, his creative process, and how he goes about living a photographic life. You can see Bill's work and read more about him at his web site.

Some other web sites and/or photographers mentioned on this show include:

Mark Tucker
Keith Carter
James Fee
Fan Ho
Rocky Schenck

In this podcast, I discuss how learning from other photographers and their work (sometimes through imitation) can be essential step towards learning how to see photography and contributes towards gaining inspiration for your own work and eventually your own vision.

In this episode, I discuss the use of photosharing web sites (i.e. Flickr) by fine art photographers as possible alternatives to creating and managing a traditional stand-alone web sites.

In this podcast, I try to address the question of what it means to "live a photographic life", a term I frequently use in my podcasts.

In this podcast I discuss the importance of model releases and I cover some important issues to remember when shooting in public. Below is a sample model release that you can copy and modify to suite your particular purpose. Also, here is a link to a document called "The Photographer's Right: Your Rights and Remedies when Stopped or Confronted for Photography" by Bert Krages, Attorney at Law.

[NOTE: This podcast and associated information are not meant to be actual legal advice. Please consult the local laws where ever you happen to be shooting photographs and/or seek professional legal advice.]

Model Release
[INSERT YOUR PHOTOGRAPHER NAME, ADDRESS, AND OTHER CONTACT INFORMATION HERE]

   
I, _______________________________, grant [PHOTOGARHER NAME] all rights and permission to use the photographs taken of me on ____/____/____ at __________________________, _______ in any manner [PHOTOGARHER NAME] chooses.


___________________________________________
Signature                 Date: ____/____/____
                   
I, undersigned, being the parent of guardian of the minor whose name appears above, hereby consents to the forgoing condition and warrants that I have the authority to give such consent.


___________________________________________ Signature                 Date: ____/____/____

In this podcast, I discuss how essays about photography can help us gain insight into our own photography. Below are links to several essay collections that are mentioned throughout this episode:

Beauty in Photography: Essays in Defense of Traditional Values - Robert Adams

Why People Photograph - Robert Adams

Along Some Rivers - Robert Adams

The Mind's Eye: Writings on Photography and Photographers - Henri Cartier-Bresson

Camera Lucida: Reflections on Photography - Roland Barthes

On Photography - Susan Sontag

Light Matters - Vicki Goldberg

Advice for Photographers - Al Weber

Truth and Photography: Notes on Looking and Photographing - Jerry Thompson

Between the Eyes: Essays on Photography and Politics - David Levi Strauss

Inside the Photograph - Peter Bunnell

The Education of a Photographer - Traub, Heller, and Bell

The Photography Reader - Liz Wells

25 Lessons I Have Learned (About Photography): The Art of Living - Lorenzo Dominguez

In this podcast I discuss the photographer's obsession with cameras, gadgets, and technology and I offer up some tips on breaking the chain of the "must upgrade" craze.

This episode of the Focus Ring (a round-table discussion featuring podcasters from the Photocast Network) features John Arnold (PhotoWalkthrough.com), Rolf Steinort (Meet the Gimp), Benoît Marchal (Déclencheur), and Paul Giguere (Thoughts on Photography). In this episode, we discuss how to find something to shoot (when you live in the least interesting place in the world), continuous versus strobe (or flash) lighting, getting your images to the wall, and composing and shooting in a square format with your digital SLR. We also mention various products and web sites during the show which are listed below:

http://citydailyphoto.com/portal/

http://www.parisdailyphoto.com/

http://www.lenswork.com

http://www.elinchrom.com/

http://www.alienbees.com/

http://www.tiffen.com/displayproduct.html?tablename=filters&itemnum=BWVF

http://www.photosenaveugle.fr/

http://www.aperture.org/store/books-detail.aspx?ID=210

http://www.herorat.org/

In this podcast I interview photographer Susan Burnstine to discuss her photography, her creative process, and how she goes about living a photographic life. You can see Susan's work and read more about her at her web site:

www.susanburnstine.com

In this podcast, I discuss the various debates that have occurred in photography since its early beginnings through present day and how these debates, while sometimes useful to move the entire field of photography forward to the next evolutionary level, can also stifle our creativity as photographers.

In this podcast, I discuss the various labels that we apply to ourselves (or are applied to us) as photographers (e.g. fine art photographer) and whether such labels are pretentious or practical.

This podcast focuses on a discussion of websites as a way of marketing and promoting your fine art photography. The podcast covers such issues as:

- identifying your audience
- setting goals for your website
- elements of a fine art website
- types of website solutions for the photographer

Links to sites mentioned in this podcast include:

VisualServer
Foliolink
Photobistro
Artspan
Flickr

In this podcast I discuss the artist statement. Why are they important, who the audiences are for them, the different types of statements possible, and how to write them.

Continuing a discussion started in Thoughts on Photography #16, which looked at developing a photographic style, I discuss an approach to selecting a subject to photograph.

In this podcast I define what a photographic style is and what it means to you as a photographer.

This podcast explores the concept of "flow." According to the definition on Wikipedia, flow is a mental state of operation in which the person is fully immersed in what he or she is doing, characterized by a feeling of energized focus, full involvement, and success in the process of the activity. In photography, flow can be used to help achieve a sense of heightened creativity with your photography.

As a reference for this podcast, here is a simple chart that explains the four levels of flow:

Level 1
Low Skill - Low Challenge = Typically breeds apathy

Level 2
Low Skill - High Challenge = Typically causes frustration and anxiety.

Level 3
High Skill - Low Challenge = Can bring about contentment and can build confidence but the challenge must increase to encourage true engagement.

Level 4
High Skill - High Challenge = Desired focused state where flow is attained,

In this podcast I discuss the pros and cons or printing large sized prints and how that relates to selling your work both to the collector and the average consumer.

In this podcast I discuss limited edition prints, what they are, who they benefit, and whether they are right for you. I also cover some of the details that you need to consider should you wish to sell your prints in limited editions.

In this podcast, I discuss how to arrive at a price for your photographic prints regardless of whether you sell your work in unlimited or limited editions. Below is a simple formula that I discuss in the podcast for determining the price:

Art Fair Pricing (unlimited)
Step 1: Determine the cost of your materials for a single print. For example:

- 13x19 paper
- inkjet print
- bag and board
- add framing costs if applicable

$10 for materials X 33% = $13.30

Step 2: Multiply the result from Step 1 by 3. This is the price you could charge for your print (and probably sell it). For example:

$13.30 X 3 = $39.90 (round up to $40)

Exhibition/Gallery Pricing (limited)
Step 1: Determine what level you are at as a fine art photographer with regards to your reputation and experience exhibiting and/or publishing and then multiply an hourly rate by 33%. For example:

Beginner - $100/hr X 33% = $133
Emerging - $200/hr X 33% =$266
Established - $300/hr X 33% = $399

Step 2: Multiply the result from Step 1 by 3. This is the price you could charge for your print (and probably sell it). For example:
 
$133 X 3 = $399 or $400 (exhibition)
$266 X 3 = $798 or $800
$399 X 3 = $1197 or $1200

In this podcast, I discuss ideas that help you remain engaged in your fine art photography when time doesn't permit to actually go out and make photographs.

In this podcast I discuss alternative photographic processes and their rise and prominence in the fine art photography realm.

This podcasts discusses how to get started marketing your fine art photography. Below is a list of the major centers of photography in the United States mentioned in the podcast that provide juried exhibition opportunities:

Blue Sky Gallery
1231 NW Hoyt
Portland, Oregon, 97209
www.blueskygallery.org

Center
PO Box 2483
Santa Fe, NM 87504
www.visitcenter.org

Center for Creative Photography
University of Arizona
1030 North Olive Road
Tuscon, AZ 85721
www.creativephotography.org

Center for Photography at Woodstock
59 Tinker Street
Woodstock, NY 12498
www.cpw.org

Griffin Museum of Photography
67 Shore Road
Winchester, MA 01890
www.griffinmuseum.org

Houston Center for Photography
1441 W. Alabama
Houston, TX 77006
www.hcponline.org

The Light Factory
Spirit Square Suite 211
345 N College Street
Charlotte, NC 28202
www.lightfactory.org

Light Work
316 Waverly Avenue
Syracuse, NY 13244
www.lightwork.org

Minnesota Center for Photography
165 13th Avenue NE
Minneapolis, MN 55413
www.mncp.org

Photographic Center Northwest
900 Twelfth Avenue
Seattle, WA 98122
www.pcnw.org

Photographic Resource Center
832 Commonwealth Ave.
Boston, MA 02215
www.bu.edu/prc/

Silver Eye Center for Photography
1015 East Carson Street
Pittsburgh, PA 15203
www.silvereye.org

In this podcast, I discuss the importance of developing and implementing photographic projects as a way to sustain yourself as a fine art photographer. I also cover a project planning and implementation process that listeners may find useful.

In this podcast, I discuss the role of motivation in promoting your fine art photography. In particular, I cover three specific levels of motivation and use them to create a framework to help you effectively promote your work while remaining true to your goals as a photographer.

In this podcast, I discuss six of my favorite new photography books that were published in 2007. You can get more information about these books by visiting the links below (available only via my blog, thoughtsonphotography.com):

Driftless: Photographs from Iowa - Danny Wilcox Frasier

Cage Call: Life and Death in the Hard Rock Mining Belt - Louie Palu (Note: this book is no longer available however, selections from the book were recently published in Lenswork)

Eye of the West - Nancy Wood

Shaolin: Temple of Zen - Justin Guariglia

I See Angels Every Day - Hiroshi Watanabe

Findings - Hiroshi Watanabe

In this podcast, I discuss various magazines that I find inspirational, informative, and pleasureable to read. Magazines mentioned in this podcast include:

Lenswork

Aperture

Blind Spot

Spot

Contact Sheet

Photography Quarterly

Nueva Luz

B&W Magazine

Focus

CameraArts

Photo-Eye Booklist

This podcast discusses self-publishing options for photographers using on-line publishing companies. Mentioned in this podcast is Blurb.com

Here are some of the reviewers mentioned in this podcast:

Brooks Jensen - publisher and editor of Lenswork Magazine

Darius Himes - editor of PhotoEye Booklist

Tim Anderson - publisher and editor of CameraArts Magazine 

Mary Virginia Swanson - consultant, educator

Other Great Reviewers
Laura Addison, Curator of Contemporary Art, Museum of New Mexico
Pilar Graves - Owner and Director, Pilar Graves Fine Art
Marita Holdaway - Director, Benham Gallery
Julianne Newton - Editor, Visual Communication Quarterly
Larry Padgett, Executive Director, The Center for Fine Art Photography
Ann Pallesen - Gallery Director, Photographic Center Northwest
Alan Rapp - Photography and Design Editor, Chronicle Books
Madeline Yale, Program Director, Houston Center for Photography

This podcast focuses on photo reviews (or portfolio reviews) and provides an overview of how they can help emerging photographers move to the next level with their fine art photography.

Some of the photo review venues that are mentioned in this podcast include:

PhotoLucida

Review Santa Fe

FotoFest

This is the first episode of Thoughts on Photography, a podcast that explores what it means to live a photographic life.